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[古典音乐] Daniil Trifonov - BACH: The Art of Life (2021)[FLAC/24/96]

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发表于 2021-10-11 09:57:45 | 显示全部楼层 |阅读模式
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简介:
Artist:Daniil Trifonov
Title: BACH: The Art of Life
Release Date: 8th Oct 2021
Genre:classical
Label: DG
Catalogue No: 4838530
Length: 2 hours 16 minutes
Quality flac 24bits - 96kHz
这张唱片值得一听。
Bach: The Art of Life presents music by Johann Sebastian Bach and four of his sons, as well as two pieces that were Bach family favourites. Here he performs the album’s monumental centrepiece – Johann Sebastian’s late masterpiece The Art of Fugue, whose fourteen fugues and four canons explore different contrapuntal ways of treating a single theme. As the pianist explains, though the work is based on mathematical principles, it is “far more than a scientific experiment: as always with Bach, [it is] music of indescribable beauty and emotion”. The Art of Fugue was left unfinished at Bach’s death, and Trifonov has composed his own stylistically respectful conclusion to its final fugue. He ends this recital with Dame Myra Hess’s moving transcription of “Jesu, Joy of Man’s Desiring”.

The album begins in a lighter vein with a family portrait in the shape of four charming works by his gifted sons: Johann Christian's Sonata No. 5 in A major, Wilhelm Friedemann's Polonaise No. 8 in E minor, Carl Philipp Emanuel's Rondo in C minor and Johann Christoph Friedrich's Variations on "Ah, vous dirai-je, maman". Trifonov notes that it was common in Germany at that time for families to have their own specialization and Bach, himself descended from musicians, clearly passed on his gifts: "It's an incredible parental achievement that four of his children wrote wonderful music! And each had his own individual voice."

Trifonov also presents a selection of music from the notebook Johann Sebastian gave his second wife Anna Magdalena in 1725, which features works by family members and others. As well as pieces by Bach himself, perhaps used when he was teaching his children, Trifonov has chosen a Minuet by Christian Petzold and a love song: Gottfried Heinrich Stölzel's aria "Bist du bei mir". As he points out, "Bach is known as one of the greatest composers of religious music...but he was also an ordinary human, he fell in love, he was a family man..."

Forming a contrast to these short album pieces is Trifonov's performance of Brahms's transcription (for the left hand) of the Chaconne in D minor, originally scored for solo violin and thought by some to be Bach's response to the death of his first wife, Maria Barbara. "What I love about Brahms's transcription," says the pianist, "is that it's so close to understanding how the violin works...it conveys the struggle of the violinist who has to reach for intervals with the left hand." Trifonov brings out the music's blend of Baroque and Romantic sensibilities, investing its architecture with a dark, meditative quality.

He shows the equally impeccable technique in The Art of Fugue, which consists of fourteen fugues and four canons that explore, on a mathematical basis, the contrapuntal possibilities inherent in a single theme. This monumental work is rarely heard in performance, partly because of its technical demands and partly, as Trifonov explains, "because it is all written in one key and on one theme so the performer has to bring enough variety to the score."

The pianist is intrigued by Bach's attempts to base the work on the Fibonacci sequence and the golden ratio, but observes that the result is "far more than a scientific experiment: as always with Bach, he managed to make music of indescribable beauty and emotion." Trifonov's imaginative interpretation captures the sense of the work as a cycle, treating it as a living, organic whole. This chimes with the inspiration he takes from spending time in nature, whether hiking or practicing Qigong, a form of meditation that values the healing energy of trees. "And the tree is a good metaphor for The Art of Fugue's overall structure," he notes. "The theme is the trunk, the fugues are the branches, all the permutations within each fugue are the leaves..."

Bach did not live to finish The Art of Fugue's final contrapunctus, and a number of musicians have attempted conjectural completions. For this recording, Trifonov, himself an accomplished composer, has created a seamless, stylistically respectful conclusion worthy of Bach's genius. It reflects the extent to which he has absorbed and internalized every nook and cranny of Bach's valedictory masterpiece.

He ends his program with an eloquent reading of Dame Myra Hess's transcription of "Jesu, Joy of Man's Desiring", a reminder that, for Bach and his contemporaries, "music was another embodiment of nature and natural laws, and mathematics and science were also thought to be part of a divine order."

“This album is, in many ways, about love: the romantic love between Johann Sebastian and his first and second wives; familial love between parents and their children; and love for the Creator.” (Daniil Trifonov)

曲目:
J.C. Bach
Sonata No. 5 in A Major, Op. 17, No. 5
1. I. Allegro (3:39)
2. II. Presto (2:36)

W.F. Bach
12 Polonaises, F. 12
3. No. 8 in E Minor (5:17)

C.P.E. Bach
2 Clavier-Sonaten, 2 Fantasien und 2 Rondos für Kenner und Liebhaber, Wq. 59
4. IV. Rondo in C Minor, H. 283 (4:47)

J.C.F. Bach
Variations on 'Ah, vous dirai-je, Maman'
5. Thema (Allegretto) (0:22)
6. Var. 1 (0:17)
7. Var. 2 (0:21)
8. Var. 3 (0:23)
9. Var. 4 (Minore) (0:37)
10. Var. 5 (Maggiore) (0:17)
11. Var. 6 (Tempo di Minuetto) (0:45)
12. Var. 7 (0:32)
13. Var. 8 (Schwäbisch, Non allegro) (0:32)
14. Var. 9 (Minore, Tranquillo) (0:35)
15. Var. 10 (Maggiore, Tempo I) (0:31)
16. Var. 11 (0:24)
17. Var. 12 (Alla Siciliano) (0:34)
18. Var. 13 (0:13)
19. Var. 14 (0:18)
20. Var. 15 (Più andante) (0:49)
21. Var. 16 (Tempo I) (0:19)
22. Var. 17 (Minore) (0:28)
23. Var. 18 (Maggiore, Allegro) (0:31)

J.S. Bach
24. Musette in D Major, BWV Anh. 126 (Notebook for Anna Magdalena Bach, 1725) (0:56)
25. Aria "Gedenke doch, mein Geist, zurücke", BWV 509 (Notebook for Anna Magdalena Bach, 1725) (0:42)
26. Minuet in A Minor, BWV Anh. 120 (Notebook for Anna Magdalena Bach, 1725) (1:34)
27. Minuet in F Major, BWV Anh. 113 (Notebook for Anna Magdalena Bach, 1725) (2:57)
28. Polonaise in F Major, BWV Anh. 117b (Notebook for Anna Magdalena Bach, 1725) (0:57)
29. [Polonaise] in D Minor, BWV Anh. 128 (Notebook for Anna Magdalena Bach, 1725) (3:42)
30. Choral "Gib dich zufrieden und sei stille", BWV 511 (Notebook for Anna Magdalena Bach, 1725) (1:05)

Christian Petzold
31. Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) (1:46)

J.S. Bach
32. Minuet in G Major, BWV Anh. 116 (Notebook for Anna Magdalena Bach, 1725) (1:12)

C.P.E. Bach
33. Polonaise in G Minor, BWV Anh. 125 (Notebook for Anna Magdalena Bach, 1725) (1:09)

J.S. Bach
34. Minuet in C Minor, BWV Anh. 121 (Notebook for Anna Magdalena Bach, 1725) (1:34)

35. Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) (3:29)

Johannes Brahms
36. 5 Studies, Anh.1a/1 - V. Chaconne (After Violin Partita No. 2 in D Minor, BWV 1004 by J.S. Bach, Arr. for Piano) (15:01)

J.S. Bach
The Art Of Fugue, BWV 1080
37. Contrapunctus 1 (2:45)
38. Contrapunctus 2 (2:23)
39. Contrapunctus 3 (2:33)
40. Contrapunctus 4 (2:40)
41. Contrapunctus 5 (3:07)
42. Contrapunctus 6 [per Diminutionem] in Stylo Francese (5:33)
43. Contrapunctus 7 per Augmentationem et Diminutionem (3:21)
44. Contrapunctus 8 (5:00)
45. Contrapunctus 9 alla Duodecima (2:29)
46. Contrapunctus 10 alla Decima (4:01)
47. Contrapunctus 11 (4:53)
48. Contrapunctus [12] [rectus] (3:25)
49. Contrapunctus 12 inversus (3:16)
50. Contrapunctus [13] [rectus] (1:53)
51. Contrapunctus [13] inversus (1:57)
52. Canon [in Hypodiatessaron] per Augmentationem in Contrario Motu (3:33)
53. Canon in Hypodiapason (Canon alla Ottava) (1:52)
54. Canon alla Decima in Contrapunto alla Terza (3:12)
55. Canon alla Duodecima in Contrapunto alla Quinta (2:40)

The Art Of Fugue, BWV 1080
56. [Contrapunctus 14] (Compl. by Daniil Trifonov) (10:34)

J.S. Bach
Herz und Mund und Tat und Leben, Cantata BWV 147 (Transcr. Hess for Piano)
57. Jesu, Joy of Man’s Desiring (4:19)

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